also shakespeare is incredibly specific. the example I like to use is the famous
“Friends, Romans, Countrymen, Lend me your ears!”
Which takes place in a crowded marketplace.
Count the syllables: 1 (friends), 2, (romans), 3 (countrymen), 4 (lend me your ears)
it’s a line in which the meter matches the intent - attracting attention in a big group.
Bill will also often add an eleventh unstressed syllable to his dialogue lines if he wants a character to seem vulnerable or weak, indicating they have fallen off meter because of their inner thoughts
very occasionally he does an eleventh STRESSED syllable when a character is being especially dominating and murderous.
The other famous examples is when a peasant or very low status character speaks, it won’t be in verse at all, but plain prose.


something about Japanese burger photography I think